I have covered many events for this blog over the years, but I cannot remember the last time a single stretch of city land held so many flags, languages and shared heartbeats at once. Between June and July, Fort York National Historic Site and The Bentway became the unofficial living room for anyone in Toronto who loves the beautiful game, and I made it my mission to be there with a camera as often as I could.
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I spent 14 years living and working in Saudi Arabia, including time in the arts sector, so AlUla is not an abstraction to me. I first visited back in 2013, long before Wadi AlFann, Desert X AlUla, or any of the tourism infrastructure that now gets photographed for glossy travel features. Back then, the site was still mostly known as Mada'in Saleh, tied to its ancient rock-cut tombs rather than to AlUla (which mainly referred to the ancient traditional town) as a destination brand. There were only two modest hotels nearby, Madain Saleh Hotel and ARAC Hotel, and both needed to be booked weeks in advance. Getting in required special permission from the Saudi Commission for Tourism and Antiquities, arranged well before we ever set foot on site.
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I'll be honest: when the invitation landed in my inbox for a media preview at the Gardiner Museum, I wasn't entirely sure what to expect. I've always appreciated ceramics in the way most people do — admiring a well-thrown bowl, registering the craftsmanship, then moving on. What I didn't anticipate was that a Wednesday afternoon in a Toronto museum would fundamentally shift how I think about clay as a medium, about cities as living organisms, and about the quiet, persistent ways humans have always used their hands to make sense of the world around them. The Gardiner Museum's International Ceramic Art Fair (ICAF 2026) opened its doors to the media yesterday, and I was there for the first look.
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There's something worth acknowledging when an arts festival reaches its 30th year. In a cultural landscape where programming budgets are perpetually stretched, and audience attention is hard to hold, CONTACT Photography Festival has kept going—and kept growing. Photography has always been a medium I've been passionate about, sitting as it does between documentation and interpretation, between what happened and how we remember it.
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When we talk about decarbonizing construction, the conversation typically gravitates toward concrete, steel, and mass timber. Structural materials dominate the narrative. Yet the reality of commercial real estate tells a different story. Interior finishes, particularly flooring, are replaced far more frequently than structural components. Their cumulative environmental impact is significant.
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Abu Dhabi is preparing for another ambitious chapter in its growing public art story.
The Department of Culture and Tourism – Abu Dhabi has announced the appointment of internationally acclaimed curator Elvira Dyangani Ose as Artistic Director of the second edition of the Public Art Abu Dhabi Biennial, set to open in autumn 2026 and run into 2027.
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In this episode of Makers & Shakers, I sit down with Kelly Langgard, Director and CEO of both the Toronto Arts Council and the Toronto Arts Foundation, to discuss how arts funding shapes a city's life.
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Minimalism continues to shape today’s most compelling interior spaces, but the most inspiring interpretations reach beyond white walls and clean lines. The 10 creatives featured here demonstrate how simplicity becomes a way to connect with culture, craftsmanship, and a distinctly personal point of view. Their homes reveal the many expressions of minimalism across continents, materials, traditions, and lifestyles.
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I’ve spent the past few years immersed in the arts and culture landscape across Saudi Arabia, especially through my work on Riyadh Art, the Ministry of Culture, and Riyadh's growing contemporary art ecosystem. Along the way, Art Dubai has kept popping up in my research like a recurring reference point. It’s one of those events that consistently shapes conversations about creativity in the region, yet—strangely enough—I’ve never actually attended.
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The red carpet may look glamorous from the outside, but for those of us behind the lens, it often feels like a full-contact sport. You’re crammed shoulder-to-shoulder with photographers from all over the world, shouting names into the air, elbows up, cameras firing at machine-gun speed. In those few seconds of chaos, you hope for serendipity—a pose, a glance, a fleeting gesture—that crystallizes into the shot.
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